That’s beginning to change, and we love that we’re a part of that.” “Software instruments and hardware synthesizers have become incredibly powerful without their user interfaces catching up to let musicians play with emotional and physically-connected expression. “We’re confident that expressivity is the way that music-creation technology will be going in the coming years,” says Alexandre Bellot, co-founder and CEO of Expressive E. Now the path is clear for the 2020s to define a new age in expressive electronic music.
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Ion, and at the same time will work with all of the very powerful hardware and software sounds, sound engines, and machines that have been developed. These new expressive instruments on the other hand do provide such a connect However, the common user interface elements from those cycles in electronic music production-whether they be the mouse and keyboard or the knobs, faders, and switches that originated from broadcast and recording equipment-were not designed for musicians to have an expressive connection to the sound. Then in the 2010s, the musicians’ desire for a more tactile user interface, combined with less expensive hardware components and manufacturing lead to a revival of analog synthesizers, modular systems, and other hardware electronic instruments. The proliferation of DAW and plug-in instrument and effect software of the late 1990s and 2000s made music production accessible to musicians with a limited budget.
With its award-winning Touché and Touché SE controllers, expressive sound design and synthesizer plug-ins, and its upcoming Osmose keyboard synth, Expressive E has established itself as a major participant in this movement to take electronic music production into a bold future.Įlectronic music production has democratized, and to a great extent, demonetized the ability to make music, so that millions of more people can create and enjoy the art form.
French electronic instrument developer Expressive E happily welcomes this dawning era. However, as the trend toward more musically expressive electronic instruments and controllers continues, electronic music production is poised to enter a new era that dismantles the disconnect between the instrument and the musician’s expression. While the power of music-creation software and hardware electronic instruments has grown exponentially in this century, the interfaces for playing those sounds have remained largely stagnant.
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